b'Conservator Carolina Izzo preserves paint from the past for future generations to appreciate.ReseneT here comes a point in every artists careerhad available when some of humanitys mostandeventuallybeganteachingpreventiveabove and opposite: After Spanish Whitewhereyoustarttoputmorethoughtfamousworkswerecreated.Whenyoudoaconservation of cultural materials herself anddamaged details were repaired,into the materials you use to create yourquick run to your local Resene ColorShop toheadedupalargeteamofprofessionalsasStudio Carolina Izzos intensivework. Often students or those just starting outgrab more testpots, its easy to take for grantedManaging Director of her own studio.process for restoring the stunning Edwardian might use lesser quality mediums because yourethat the paint inside them is a highly-technicalCarolina has long been involved in consultationBaroque dome in the Oamaru Opera House involved preparing surfaces with Resene Quick Dry more focused on mastering techniques, learningproduct that can withstand damage from ouraroundcollectionsbelongingtotheItalianwaterborne primer undercoat followed by Resene through experimentation and sticking to a budgetharsh UV light in ways the old masters couldntStateandvariousnationalandinternationalAquaShield mineral effect finish in Resene Spanish than the longevity of your practice studies. Buteven dream was possible. In fact, one of theinstitutions. But in 2001, she and her familyWhite on the main dome surface. Next, the team as your skills grow and you start getting moreonly reasons we are able to continue to viewdecided to relocate to New Zealand. Forsixreinstated the rest of the heritage colour scheme serious about your outputperhaps becauseand enjoy precious artworks created centuriesyears,sheworkedasapaintingconservatorin Resene SpaceCote Low Sheen tinted to Resene youre putting in a greater number of hours perago is because of the careful, dedicated work ofatthehomeofsomeofthecountrysmostSand, Resene Cashmere, Resene Bowman and piece, beginning to work at larger scales or startpeople like Carolina Izzo. valuable treasures, the Museum of New ZealandResene Triple White Pointer. In the first decade earning grants or commissionsits normal toCarolinahasmorethan40yearsofTe Papa Tongarewa. Working predominately onof the 20th century, metal leaf was used help to illuminate features, Carolina explainsso details start paying better attention to how you canexperience under her belt as an internationallythe Museums painting collection, she carriedin gold and silver leaf were also reinstated. The make your works stand the test of time. renowned art conservator. Born in Rome, sheout preventive conservation and provided carefinished result is breathtaking. Images by Sari Renee Artists today are lucky to have more accessmoved to Florence when she was 18 to beginfor art collections on loan and within exhibitions. Photography, www.sarireneephotography.com.thangenerationsbeforetonotonlyalargerher studies in a city that is home to some ofMy husband is a Kiwi and we already had our Resene Reseneselection of media and materials than those inthe most celebrated fine art collections in thethree children at the time. I thought it would beSand Bowmanthe past, but the paint we are able to use is farworld.Aftercompletinghertrainingin1981,easier to live here so we moved to Wellington. ByResene Resene Triplemore stable and enduring than what paintersCarolina stayed in Florence to continue workingthat point, I thought I was done with conservationCashmere White Pointer22 blackwhitemag.com'